milk & roses

Jonas WoodCollaboration Appropriation, 2013Oil and acrylic on linen40” x 30”
19:38"I think the reward for conformity is that everyone likes you except yourself." — Rita Mae Brown (via neonsugar)

(Source: misswallflower, via neonsugar)


Landon will be showing a whole new body of work at Retrospective from March 15-April 13th - be sure to make the trip if you’re able!
Here’s the press release I wrote for the show:
Landon Metz
Michael Jackson Penthouse
March 15-April 13, 2014
Opening Reception: Saturday, March 15, 7-9pm
 "A few years ago I was in the elevator of a loft building somewhere on the west side with some people and we took it to the penthouse by accident and the doors opened to this giant apartment filled with nothing but the same painting of Michael Jackson over and over and over again." - Landon Metz
 Retrospective is pleased to present Michael Jackson Penthouse, an exhibition of new paintings by New York-based artist Landon Metz.
 While continuing the artist’s ongoing experiments with colored dyes poured onto unprimed canvas, this latest suite of paintings distinguishes itself from preceding series largely through its methodology: where Metz has to this point built up each body of work a canvas at a time, this most recent offering finds him for the first time thinking in terms of seriality, with sets of identically composed canvases mounted in self-contained groupings.
 As is typical of Metz’s output, the paintings themselves are both intricately designed and willfully unembellished; perhaps more than in any previous showings, Penthouse finds the artist embracing an extreme economy of form, with the seven sets of work sharing a mere two colors and four forms between them. This restrained vocabulary is offset, however, by a series of inventive installations: arranging similar works into calculated formations and grids, Metz composes a series of fractured, repeating visual motifs whose use of space yields a palpable sense of objecthood, the clustered works falling somewhere between painting and sculpture. In establishing these tentative visual dialogues, Metz flirts with notions of connection and separation, as the works’ individual compositions are ultimately understood as being singular but correlated, their joint configurations – much like the resulting viewing experience itself – at once sequential and open-ended.
In exploring these new strategies, Metz confirms more literally what has long been a central idea within his broader practice: namely, that an artist’s process might be self-generative, with strategies extended and refined through succeeding works. Though certain motifs may be isolated, they are at once defined and enhanced by their connection to a wider arrangement; though each given piece offers its own points of visual interest, it must be viewed in context, as part of a larger set, for its implications to be fully grasped. Simultaneously individual and interdependent, the work in Michael Jackson Penthouse amply reinforces the underlying notions of interconnectivity, relativity, and transparency that continue to drive Metz’s practice.
 Lan­don Metz (born 1985) is a multi-disciplinary artist whose work has been widely exhibited both domestically and abroad. Recent ex­hi­bi­tions in­clude solo shows at TORRI (Paris), Cooper Cole (Toronto), and Pre­teen Gal­le­ry (Mexi­co City), as well as group shows at Rod Barton (London), Brand New Gallery (Milan), and the 2013 Venice Biennale. His mono­graphs in­clude Pain­ter Pain­ting Sur­face, pu­bli­shed by Vim­mer­by Rin­ke­by in 2012, and an as-yet-untitled volume to be pu­bli­shed by Libraryman Press in spring 2014. He lives and works in New York City.
This exhibition, to be held in a row house located at 438 Carroll Street, is the first in a series of shows that Retrospective is planning for spaces throughout Hudson in addition to its storefront at 727 Warren St. It will run concurrently with a show of new works by Jason Middlebrook and Letha Wilson at the Warren St. location.
 438 Carroll Street will be open Saturdays, 12-5pm, and by appointment.

Skirt stuffed with roses at DRESSCAMP F/W 2014

DisEmbodied.7. (2012), by Iraqi artist Hayv Kahraman


Primavera, Sandro Botticelli (detail) 

US Vogue January 1986 What’s Changing: Paris A New Mood Softer, Gentler, Very Beguiling Pt.1 Photo Denis Piel Model Laetitia Firmin-Didot